On October 7th, I was asked to share a story on “what inspires me to give back” to a public event hosted by WILLO (Women’s Intergenerational Living Legacy Organization). WILLO is a Tacoma nonprofit organization devoted to sharing stories across generations and cultures, hoping to inspire the next generation of …
My car radio, usually turned to a news station, has been tuned to a classical music station for months. I don’t avoid the news, but I have had to figure out when to listen to the news, and to protect myself carefully. For the first time in my life—and I …
As a Sansei, I've been exploring the issue of “family separation,” given the multiple ways that families are being separated due to unjust border policy, travel bans, and mass incarceration. I'm currently writing a family memoir that responds to (and includes passages from) my Nisei father’s unpublished memoir of his …
Like many Sansei, I have agricultural roots. My father’s family worked as sharecroppers during the Depression. My aunties have told stories of harvest time, of the youngest auntie running away to read a book in the orchards. As for me, I grew up in California’s Central Valley and have been …
In the Pacific Northwest, there are a couple of famous sites related to Japanese American history, such as Seattle’s Panama Hotel (made famous by Jamie Ford’s novel Hotel on the Corner of Bitter and Sweet), where Japanese Americans stored their belongings during their mass incarceration. Locals from Seattle may know …
The Fife History Museum is a converted midcentury home, awaiting its next stage of storytelling—but it’s a place filled with objects waiting to speak.
In these difficult political times, resistance appears every day—from marches to political organizing to Star Wars movies to hashtags. But for many within the Japanese American community, resistance remains a difficult and painful topic. Yonsei Konrad Aderer’s latest documentary, Resistance at Tule Lake, seeks to address that topic, focusing on …
The women were standing just about eye level with me, their faces sketched on the wall by Issei artist Takuichi Fujii. They were standing in front of barracks at Minidoka, but in the picture they seemed—and felt— at an arm’s length away. One woman had her hand up to her …
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